I wrote a post last year looking at how to employ tools in LangChain to have GPT-3.5 Turbo access information on the web, outside of its training data.
The purpose of the present post is to revisit this post, improving the poor performance I saw there through refactoring and prompt engineering.
Background
The motivating example is again using large language models (LLMs) to help me calculate features for my Oscar model. Specifically: How many films did the director of a Best Picture nominee direct before the nominated film?
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I wrote a post in July 2023 describing my process for building a supervised text classification pipeline. In short, the process first involves reading the text, writing a thematic content coding guide, and having humans label text. Then, I define a variety of ways to pre-process text (e.g., word vs. word-and-bigram tokenizing, stemming vs. not, stop words vs. not, filtering on the number of times a word had to appear in the corpus) in a workflowset. Then, I run these different pre-processors through different standard models: elastic net, XGBoost, random forest, etc. Each class of text has its own model, so I would run this pipeline five times if there were five topics in the text. Importantly, this is not natural language processing (NLP), as it was a bag-of-words approach.
The idea was to leverage the domain knowledge of the experts on my team through content coding, and then scaling it up using a machine learning pipeline. In the post, I bemoaned how most of the “NLP” or “AI-driven” tools I had tested did not do very well. The tools I was thinking of were all web-based, point-and-click applications that I had tried out since about 2018, and they usually were unsupervised.
We are in a wildly different environment now when it comes to analyzing text than we were even a few years ago. I am revisiting that post to explore alternate routes to classifying text. I will use the same data as I did in that post: 720 Letterboxd reviews of Wes Anderson’s film Asteroid City. There is only one code: Did the review discuss Wes Anderson’s unique visual style (1) or not (0)? I hand-labeled all of these on one afternoon to give me a supervised dataset to play with.
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February 16th, 2025
This week shows about the same predictions. Conclave came away with the top prize at the BAFTAs. However, Sean Baker (Anora) came away with the WGA award for his screenplay, completing his guild trifecta—PGA, DGA, and WGA—as the producer, director, and writer of the film, respectively. There have been only eleven films that have completed this trifecta (including both original and adapted screenplay at the WGA awards):
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